"The human eyes seek to understand shapes and feel comfort when it does. " Frida Svensen, A new way to look at architecture
I used to relate my work with the idea that the old architecture doesn't have to match with the new architecture but it's the new architecture that has to match with the old one.
I might have forgot some important aspect about adaptation in the contemporary architecture that I will highlight in this article.
Because adaption is not only about adapting the architectural work into a certain era, it's also about matching it with its surrounding, and its context.
The quotation I took from Frida Svensen's work at the beginning of the article explained in all the way what I want to express in this article. The human eyes refer to us, as people living inside a space where it's easy to project. The shapes refers not only to the form of the building but also to what is understandable. Shapes are what make the difference between an aesthetic/practical design and a mind blowing/surprising building. Therefore the perfect mix leads to what we want to achieve as architect: a place as comfortable as possible. It is also important to mention that feelings are involve in the process of designing nowadays in a context of adaptation.
As I said in my essaie "When evolution rimes with adaptation": "we don't have evolution without adaptation". Evolution is linked with the idea of time, and progress. I would say in a simple way that it's the technical progresses we have achieve so far. It involves that us, as architect, we have to put borders to those progresses in order to adapt as well as possible our design in an already existing area.
At the beginning of the twentieth century, the technical advances gave the architecture the issue of adaptation. Therefore as Le Corbusier denounced in his manifesto "Vers une architecture" 1923, we should think as engineers think when they design. In a more efficient and simple way, because architecture is not about letting your mind fly away. We should always focus on our main purposes.
As Ina Kristin Ullenes explained in her third work, it is possible to build on the built thanks to intertextuality. It's the idea that a building can have two distincts architecture, separated by diferents textures (materials). But to my mind, in order to make it possible, we still have to follow some rules to join the idea of "understandable shapes for human eyes."
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